March 15--Jean Fouquet, Portrait of an Ecclesiastic. So few lines to make a man, Roger thought. His gloved hands hovered over the parchment wanting to touch it but knowing he shouldn't. He leaned over to look closely, to see the way the metalpoint of the artist had scored the thick parchment that the black chalk had been rubbed into. In nearly six hundred years it hadn't smudged which said something for the old ways of preservation. The look of the man's flesh, the absolute certainty of the structure of bone and muscle beneath that skin, tightened Roger's throat with admiration. Few artists had the gift, or the skill he supposed one might say, to infuse life into so few lines, to imply dimension, to make it a certainty on a single sheet of paper. His eye was drawn to the two dark letters in the lower right corner. "RH" They were so dark, such an assertion that Roger felt sure that they were the product of the brazen hand of a forger. Today's work in the lab would prove him right or wrong. He reached for the ultraviolet filter to start with the simplest of tests when all the lights went out, plunging him into total darkness.
Dun-dun-duuuuun. Now, this story? I want to go on, want to know what happens next. That's a good thing. But first it's Cheerios, prunes, and walking with Porty McPorterpants. I'll put a big star by this notebook page or maybe a bright pink Post-it. You have an awesome Friday. I can smell by the warming air that I will.
--Barbara

